" In the Mozart, his warmth of tone, his easy agility as he navigated extreme ranges up and down his instrument, and his expressive range impressed from the start. The concerto’s first movement was relaxed and sunny, marked by wonderfully sonorous notes at the bottom of the instrument’s range.
In the Adagio, his phrasing was lyrical, deeply felt and absolutely seamless – perhaps aided by his ability to execute “circular breathing.” The extraordinary pianissimo he achieved was breathtaking. "
Read the full review on the Cincinnati Business Courier website.
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